Davey James
Education

Doctorate in Philosophy (PhD) in Ethnomusicology, York University, Toronto, Canada, 2012
Master of Fine Arts in World Music, California Institute of the Arts, Los Angeles, USA, 2001
Bachelor of Music in Jazz Studies, Loyola University New Orleans, Louisiana, USA, 1999
International Jazz Workshop/Festival, Banff Center for the Arts, Canada, 1998
College of Santa Fe Music, Film and Fine Art Major, New Mexico, USA, 1997

Teachers and Mentors

Toronto, Ontario:

Bob Egan - Pedal and Lap Steel Guitar
Burke Carroll - Dobro and Pedal Steel Guitar
Rob Bowman - Ethnomusicology

Los Angeles, California:

Joe La Barbera - Drums
Randy Gloss - Percussion
Kobla and Alfred Ladzekpo - Anlo Ewe Drumming
Charlie Haden - Bass
Joey Waronker - Drums
I Nyoman Wenton - Gamelan
John Bergamo - Percussion


New Orleans, Louisiana:

Johnny Vidacovich - Drums and Composition
Stanton Moore - Drums and Percussion
Jason Marsalis - Drums and Theory
Michael Pellera - Piano and Jazz Theory

Banff, Alberta:

Keith Copeland - Drums
Kenny Warner - Piano
Juan Gutierrez - Percussion
David Liebman - Saxophone
Hugh Fraser - Trombone/Piano
Ray Drummond - Bass


Santa Fe, New Mexico:

Mark Clark - Drums and Percussion
Jeff Sussman - Drums, Vibes and Percussion
Chris Berry - African Percussion
Eric Gent - African Percussion
David Dunn - Ethnomusicology, Computer and Recording Technology
Peter Gordon - Theory and Experimental Sound Practices
Kevin Zornig - Piano, Songwriting and Composition
Mark Bryan - Writer and Composition

Ethnomusicology

In ethnomusicology and ethnographic writing Davey has learned most of his techniques from working for great professors such as I Nyoman Wenten, Kobla Ladzekpo, Alfred Ladzekpo and Dr. Paul Humpreys. While working under the tutelage of these professors, Davey had many opportunities to watch their methods closely and learned that music in many different cultures is passed on or taught through an oral tradition. Davey watched his mentors chose their research subjects, come to conclusions and ultimately translated there information in their class lessons in these oral traditions. Davey has adapted their traditions into his own educational and teaching process and has experience in the following musical cultures:
 
AFRICA - Traditional African Drumming and Melodic Music
          Benin (Anlo-Ewe)
          Ghana (Anlo-Ewe, Ahanti, Akan, Dagomba)
          Mozambique (Tsonga)
          South Africa (Zulu)
          Togo (Anlo-Ewe)
          Zaire (Mbuti)
          Zimbabwe (Kalanga, Ndau)
AMERICA - History of American Rock, Heavy Metal and Punk
          History of Traditional American Jazz and Blues (Southern)
          New Orleans Traditional Music and Drumming
          Traditional Bluegrass Music (Tennessee and Virginias)
AUSTRLIA - North Western Aboriginal Music (Arrernte Didgeridoo)
BRAZIL - Traditional Capoeira Afro-Brazilian Music (Berimbau, Panderio)
          Traditional Afro-Brazilian Drumming (Bossa Nova, Pagode, Samba) 
CUBA - Traditional Cuban Drumming and Music (Cancion, Danzon, Punto Guarjira, Rumba, Son)
DOMINICAN REPUBLIC - Traditional Dominican Drumming (Bachata, Merengue, Perico Ripiao)  
HAITI - Traditional Afro-Haitian Drumming (Ibo, Kompa, Vodou)
INDIA - North Indian Classical Music (Sitar, Tabla, Tambora)
INDONESIA - Bali and Javanese Gamelan
IRELAND - Traditional Irish Folk Music (Bodhran, Concertina, Uilleann Pipes)
JAPAN - Traditional Japanese Drumming (Taiko)
MEXICO - Northern Eastern Traditional Music (Norteno, Tejano)
NEW MEXICO - Native American Music (Pojoaque)
MIDDLE EAST - Traditional Arabic Music and Drumming
          Egypt (Kaman and Riq)
          Iraq (Qanun, Tonbak)
          Lebanon (Darabuka, Dombek, Nay)
          Palestine (Daf, Oud)
          Syria (Buzuq)
PUERTO RICO - Traditional Puerto Rican Drumming and Music (Bomba, Plena)
SCOTLAND - Traditional Highland Bagpipe and Drumming Music

Davey James copyright 2010 All Rights Reserved.